APPOSITIONS: Studies in Renaissance / Early Modern Literature & Culture: Conference Papers

Showing posts with label Conference Papers. Show all posts

Tuesday, February 16, 2010

Bill Acres: "Officers & Stations"

Dr. Bill Acres
Huron University College
The University of Western Ontario

Officers and Stations:

access and accessibility to sources in manuscript, calendar and digital form

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James Ascher: "Diplomatic E-Transcriptions"

James P. Ascher
University of Colorado at Boulder

The Words Must be Cousin to the Deed, or Must be a Trick of the Document: the Duty of the Diplomatic Transcription in the Ecosystem of Digital Reproduction

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Sarah Barber: "Rewriting the British Caribbean"

Dr. Sarah Barber

Senior Lecturer

Department of History

Lancaster University

Disputation: rewriting the history of the British Caribbean in the 17th century

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Sheila Cavanagh: "How Does Your Archive Grow?"

Sheila Cavanagh

English Department

Emory University

How Does Your Archive Grow?:

Academic Politics & Economics in the Digital Age

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Jeffery Moser: "Wyatt Wrote What?!"

Jeffery Moser
Department of English

University of Denver

Hypertext Tudor Poems: Wyatt Wrote What?!

New Issues of Renaissance Authorship with the Internet

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E. Scott-Baumann & B. Burton: "Encoding Form"

Dr. Elizabeth Scott-Baumann

Lecturer in Renaissance Literature,

Oxford Brookes University;
Research Fellow, Wolfson College,

Oxford University

&

Dr. Ben Burton
St Edmund Hall,

Oxford University

Encoding form: A proposed database of poetic form

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Whitney Trettien: "Reading Digital Elisions"

Whitney Anne Trettien
Duke University

Hidden in Gilt: Fore-edge Paintings, Restoration-era Reading and Digital Elisions

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Sunday, February 8, 2009

Eleni Pilla: "Negotiating Romeo and Juliet"

Eleni Pilla
Northern Arizona University

Negotiating Shakespeare’s Romeo and Juliet on the Big-Screen in Sound: George Cukor’s Romeo and Juliet (1936)

Jeremy Fiebig: "Everything New is Old Again"

Jeremy Fiebig
Waldorf College

Everything New is Old Again, or Practical Pedantry: Audience Inductive Techniques on the Stage

Ian MacInnes: "Some Gothicq barbarous hand"

Ian MacInnes
Albion College

“Some Gothicq barbarous hand”: Poetry and foreign policy in Samuel Daniel’s “Epistle to Prince Henry”

Micah Donohue: "Cities Nowhere but in Words"

Micah Donohue
New Mexico State University

Cities Nowhere but in Words: Plato’s Republic and Thomas More’s Utopia

Kathleen A. Ahearn: "How to Cry up Liberty"

Kathleen A. Ahearn
University of Denver

How to “Cry up Liberty”: Mary Astell in Dialogue with Female Dissenters

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EDITORIAL BOARD

EDITOR

W. SCOTT HOWARD
Department of English
University of Denver

EDITORIAL ADVISORS

CHRISTOPHER BAKER
Languages, Literature & Philosophy
Armstrong State University

RAPHAEL FALCO
Department of English
University of Maryland,
Baltimore County

ELIZABETH H. HAGEMAN
Department of English
University of New Hampshire

BRETT D. HIRSCH
Centre for Medieval &
Early Modern Studies
University of Western Australia

MATTHEW STEGGLE
Humanities Research Centre
Sheffield Hallam University

SARA J. van den BERG
Department of English
Saint Louis University

ASSOCIATE EDITORS

CHRISTINA ANGEL
Department of English
Metropolitan State College, Denver

ERIK ANKERBERG

Department of English
Wisconsin Lutheran College

CRISTELLE BASKINS
Art & Art History Department
Tufts University

GARY R. ETTARI
Department of Literature & Language
University of North Carolina, Asheville

ANNE GREENFIELD
Department of English
Valdosta State University

JUTTA SPERLING
Social Sciences, History
Hampshire College

AMY D. STACKHOUSE
Department of English
Iona College

ASSISTANT EDITORS

JENNIFER L. AILLES
Department of English
Rollins College

LOUISE DENMEAD
Department of English
University College, Cork

THOMAS J. MORETTI

Department of English

Iona College

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EDITORIAL POLICY & PROCESS

All submissions to the journal, APPOSITIONS: Studies in Renaissance / Early Modern Literature & Culture, ISSN: 1946-1992, are evaluated via double-blind peer-review: each work is sent anonymously to two readers for independent assessments. Solicited materials, including book reviews, also undergo this procedure. In most cases, members of the journal’s Editorial Board evaluate submissions, but sometimes external reviewers contribute to our editorial process. Results following split-votes are determined by the Editor. Average time from submission to evaluation and reply: seven weeks or less.
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CATALOGING & INDEXING

APPOSITIONS:
Studies in Renaissance / Early Modern Literature & Culture

ISSN: 1946-1992
LC Call Number: PN720
Dewey Number: 809.894 14
OCLC: 310963904

Subjects: European literature--Renaissance, 1450-1600--History and criticism--Periodicals. European literature--Early modern, 1500-1700--History and criticism--Periodicals.

Sponsoring Institution: University of Denver, Penrose Library

Indexing: Intute, MLA, WorldCat, Open J-Gate

Distribution: EBSCO

Copyright: Appositions publishes under a Creative Commons 3.0 license. Reprint permissions and other copyright permission requests beyond that scope should be sent to W. Scott Howard, showard@du.edu, Editor and Publisher, Appositions: Studies in Renaissance / Early Modern Literature & Culture, ISSN: 1946-1992.
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APPOSITION:

1. A public disputation by scholars; a formal examination by question and answer; still applied to the ‘Speech day’ at St. Paul's School, London. [1659-60 PEPYS Diary 9 Jan., “My brother John’s speech, which he is to make the next apposition.” 1864 Press 18 June 588, “St. Paul’s School . . . celebrated its annual Apposition on Wednesday.”]

2. The action of putting or placing one thing to another; application. [1541 R. COPLAND Guydon’s Quest. Cyrurg., “Yf after the fyrste apposycyon . . . it blede nat wel.” 1559 MORWYNG Evon. 367, “All suche thinges as . . . fomentacions, apposicions, embroches, etc.” 1650 FULLER Pisgah IV. vi. 117, “By apposition, or putting of sweet odours to the dead body.” 1726 AYLIFFE Parergon 308, “By the Apposition of a Publick Seal.” 1875 POSTE Gaius II. 220, “The apposition of the seals of seven attesting witnesses.”]

3. That which is put to or added; an addition. [1610 J. GUILLIM Heraldry §1. i. (1660) 10, “For distinction sake, to annex some apposition over and above their paternall Coat.” 1655 FULLER Ch. Hist. II. 67, “The Place is plainly written Cern, without any paragogical apposition.”]

4. The placing of things in close superficial contact; the putting of distinct things side by side in close proximity. [1660 STANLEY Hist. Philos. 64/2, “The mistion of the Elements is by apposition.” 1669 GALE Crt. Gentiles I. I. vi. 35, “[The word] according to the various apposition of the leters, may signifie either a foot, or a river.” 1830 LYELL Princ. Geol. (1875) I. II. xix. 488, “These layers must have accumulated one on the other by lateral apposition.” 1850 DAUBENY Atom. The. iv. 121, “The result of the apposition of an assemblage of smaller crystals.”]

5. The fact or condition of being in close contact, juxtaposition, parallelism. [1606 G. CARLETON Tithes Exam. iv. 21b, “There is an apposition betweene things of the same kinde.” a1. 652 J. SMITH Sel. Disc. v. 160, “A mere kind of apposition or contiguity of our natures with the divine.” 1801 FUSELI Lect. Art. (1848), “The true medium between dry apposition and exuberant contrast.” 1824-8 LANDOR Imag. Conv. (1846) 159, “He places strange and discordant ideas in close apposition.” 1878 T. BRYANT Pract. Surg. I. 145, “The cut surfaces and edges of the wounds are to be brought into apposition.”]

6. Rhet. The addition of a parallel word or phrase by way of explanation or illustration of another. Obs. [1561 T. [ORTON] Calvin’s Inst. III. 187, “Calling faith the worke of God, and geuing it that title for a name of addition, and calling it by figure of apposition Gods good pleasure.” a1. 638 MEDE Wks. I. xxiv. 93, “It is an Apposition, or παράθεση, and ειρήνη στη γη, the latter words declaring the meaning of the former; ‘Peace on earth,’ that is, ‘Good will towards men.’”]

7. Gram. The placing of a word beside, or in syntactic parallelism with, another; spec. the addition of one substantive to another, or to a noun clause, as an attribute or complement; the position of the substantive so added. [c. 1440 Gesta Rom. (1879) 416, “Yonge childryn that gone to the scole haue in here Donete this question, how many thinges fallen to apposicion?” 1591 PERCIVALL Span. Dict., “A Preposition . . . either in Composition, as, Contrahecho . . . or in Apposition, as, En la casa.” 1657 J. SMITH Myst. Rhet. 191, “Apposition is a figure . . . whereby one Noune Substantive is for Declaration and distinction sake added unto another in the same case.” 1860 JOWETT Ess. & Rev. 398, “In the failure of syntactical power . . . in various forms of apposition, especially that of the word to the sentence.”]

--OED

WYSIWYG: 1982 Byte Apr. 264/2, "‘What you see is what you get’ (or WYSIWYG) refers to the situation in which the display screen portrays an accurate rendition of the printed page." 1982 Economist 1 May 8, "If he wishes to converse with computer buffs, he will have to cope with neologisms such as ‘wysiwyg’ (what you see is what you get), pronounced ‘whizziwig’." 1984 Sci. Amer. Sept. 54/3, "Perhaps the most important principle is WYSIWYG (‘What you see is what you get’): the image on the screen is always a faithful representation of the user's illusion." --OED
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APPOSITIONS: Studies in Renaissance / Early Modern Literature & Culture

VOLUME TEN (2017): ARTEFACTS

Tuesday, February 16, 2010

Bill Acres: "Officers & Stations"

James Ascher: "Diplomatic E-Transcriptions"

Sarah Barber: "Rewriting the British Caribbean"

Sheila Cavanagh: "How Does Your Archive Grow?"

Jeffery Moser: "Wyatt Wrote What?!"

E. Scott-Baumann & B. Burton: "Encoding Form"

Whitney Trettien: "Reading Digital Elisions"

Sunday, February 8, 2009

Eleni Pilla: "Negotiating Romeo and Juliet"

Jeremy Fiebig: "Everything New is Old Again"

Ian MacInnes: "Some Gothicq barbarous hand"

Micah Donohue: "Cities Nowhere but in Words"

Kathleen A. Ahearn: "How to Cry up Liberty"

ISSN: 1946-1992

CURATOR, DESIGNER & PUBLISHER

Hartmann Schoppers, "Panopleia" (1568)

Atmel Diopsis 740 (c. 2007)

BBC News | News Front Page | World Edition

E-JOURNALS in the Field

LIBRARIES

Kilby Circuit (1958)

E-RESOURCES

APPOSITIONS noted: